韩书瑞(Susan Naquin)，美国普林斯顿大学东亚系主任、历史系教授。在清史研究方面的成就卓著，她的著作《山东叛乱：1774年的王伦起义》、《北京：庙宇与城市生活》、《千禧年之乱：1813年八卦教起义》等在学术界均有着广泛的影响。

韩书瑞(Susan Naquin)，美国普林斯顿大学东亚系主任、历史系教授。在清史研究方面的成就卓著，她的著作《山东叛乱：1774年的王伦起义》、《北京：庙宇与城市生活》、《千禧年之乱：1813年八卦教起义》等在学术界均有着广泛的影响。

韩书瑞，现任普林斯顿大学历史系教授、东亚系执行主任。1966年，她从斯坦福大学历史系毕业后，进入耶鲁大学学习，并获得前往台湾学习中文的机会，1968年在耶鲁获得东亚研究的硕士学位，1974年获历史学博士学位。之后，她进入宾西法尼亚大学历史系任教，先后任助理教授、副教授、教授，1993年进入普林斯顿大学。

Euclides da Cunha's classic account of the brutal campaigns against religious mystic Antonio Conselheiro has been called the Bible of Brazilian nationality. "Euclides da Cunha went on the campaigns [against Conselheiro] as a journalist and what he returned with and published in 1902 is still unsurpassed in Latin American literature. Cunha is a talent as grand, spacious, entang...(展开全部)

This third volume of Princeton Readings in Religions demonstrates that the "three religions" of China--Confucianism, Daoism, and Buddhism (with a fourth, folk religion, sometimes added)--are not mutually exclusive: they overlap and interact with each other in a rich variety of ways. The volume also illustrates some of the many interactions between Han culture and the cultures d...(展开全部)

This third volume of Princeton Readings in Religions demonstrates that the "three religions" of China--Confucianism, Daoism, and Buddhism (with a fourth, folk religion, sometimes added)--are not mutually exclusive: they overlap and interact with each other in a rich variety of ways. The volume also illustrates some of the many interactions between Han culture and the cultures d...(展开全部)

From the first sets of photographic records made by Western travelers to doctored portraits of Chairman Mao and the avant-garde photographic performances of the post–Cultural Revolution era, photography in China has followed divergent paths. In this book, Wu Hung explores the multiple histories of photographic production in China, using them to tell a larger story about China’s...(展开全部)

From the first sets of photographic records made by Western travelers to doctored portraits of Chairman Mao and the avant-garde photographic performances of the post–Cultural Revolution era, photography in China has followed divergent paths. In this book, Wu Hung explores the multiple histories of photographic production in China, using them to tell a larger story about China’s...(展开全部)